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Upside Down (book)
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Upside Down (book) : ウィキペディア英語版
Upside Down (book)

''Upside Down: A Primer for the Looking-Glass World'' (in Spanish ''Patas Arriba: la Escuela del Mundo al Revés''), originally published in Spanish in 1998, was written by Eduardo Galeano, a Uruguayan author who was greatly impacted by the political turmoil during the 20th century military regimes in Latin America. Events such as the Uruguayan military coup forced Galeano into exile in Spain and Argentina;〔Galeano, Eduardo, "''Upside Down: A Primer for the Looking-Glass World", Picador USA, New York, USA (1998)〕 these exiles, in particular, may have been formative in Galeano's life and writing. The ruminations of this book were formed as a result of Galeano's desire to remember the past traumas and as well as to learn from them. Within this piece of nonfiction, he explores themes such as modern education systems, racism, sexism, poverty, economics, work, and societal fear. The pretense of the prose tends to be preoccupied with learning to rethink the contradictions of society; in a moment when outrageous circumstances are normalized, it is time to reconsider the understandings many people hold, which, in turn, informs the way such people view the things. Though focusing on Latin America, Galeano uses what he has learned from the political and social environment within Latin America to understand injustices and social dynamics throughout the rest of the world.
==Form==

In Upside Down, Galeano makes a set of rhetorical and visual choices that expose the intentions of his book. Beginning with the title, "''Upside Down: A Primer for the Looking-Glass World"'', Galeano uses the term "primer" to convey the educational goals of the book. Later on he uses the term "practicum" to reinforce such goals. Primer, in this case, both indicates Galeano’s wish for this to be the initial textbook that engenders a new structure of thought and also suggests a secondary meaning; he views Upside Down as a text that provides a clear foundation. Galeano's prose is accessible to intellectuals as well as non intellectuals; many examples are developed in very clear and simple terms. His desire to change his readers' manner of thinking is shown through the accessibility of this non-fiction piece. Furthermore, small drawings, such as the one seen to the left, occupy the pages of this text. The text and image is reminiscent of introductory textbooks and picture books. Overall, Galeano's choices seem to always enhance accessibility.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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